Adikkuthu Adikkuthu Song Lyrics

from Manimekalai · 1959

1959Year

32Verses

Music Director

G. Ramanathan

Lyricist

Thanjai N. Ramaiah Dass

Singers

T. V. Rathinam V. T. Rajagopalan

Starring

T. R. MahalingamN. S. KrishnanO. A. K. DevarT. V. RadhakrishnanP. BhanumathiT. A. MadhuramSandhiya JayaramG. Sakunthala

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Adikkuthu Adikkuthu Song Lyrics is the track from “Manimekalai” Tamil Film – 1959, Starring T. R. Mahalingam, N. S. Krishnan, O. A. K. Devar, T. V. Radhakrishnan, P. Bhanumathi, T. A. Madhuram, Sandhiya Jayaram and G. Sakunthala. This song was sung by T. V. Rathinam and V. T. Rajagopalan. The music was composed by G. Ramanathan. Lyrics works penned by Thanjai N. Ramaiah Dass.

Singers : T. V. Rathinam and V. T. Rajagopalan

Music Director : G. Ramanathan

Lyricist : Thanjai N. Ramaiah Dass

பாடல் ஆசிரியர்

தஞ்சை என். ராமையா தாஸ்

வசனம் : ..................

ஆண்

அடிக்குது அடிக்குது

உன்னைக் கண்ட நாள் முதல்

காதல் ஜுரமே அடிக்குது

உன்னைக் கண்ட நாள் முதல்

காதல் ஜுரமே அடிக்குது..அடிக்குது

பெண்

துடிக்குது துடிக்குது

உன்னைப் பார்த்த நாள் முதல்

பாழும் மனமே துடிக்குது......

உன்னைப் பார்த்த நாள் முதல்

பாழும் மனமே

ஆண்

அடிக்குது..அடிக்குது

ஆண்

ஜோசியனை நான் கேட்டுப் பார்த்தேன்

தோஷம் என்கிறான்

ஜோசியனை நான் கேட்டுப் பார்த்தேன்

தோஷம் என்கிறான்

சுக்கிரன் மேட்டை சூரியன் பார்த்தது

மோசம் என்கிறான்

சுக்கிரன் மேட்டை சூரியன் பார்த்தது

மோசம் என்கிறான்

ஆண்

வைத்தியனை நான் கேட்டுப் பார்த்தேன்

வாதம் என்கிறான்

வைத்தியனை நான் கேட்டுப் பார்த்தேன்

வாதம் என்கிறான்

மன்மதன் வாலிபக் கோளாறு என்றே

பாணம் போடுறான்......

மன்மதன் வாலிபக் கோளாறு என்றே(அடிக்குது)

அடிக்குது..அடிக்குது

பெண்

மந்திரக்காரனைக் கேட்டுப் பார்த்தேன்

மசியம் என்கிறான்

மகுடி வச்சு ஊதிப் பார்த்தா

மசியும் என்கிறான்

பெண்

மந்திரக்காரனைக் கேட்டுப் பார்த்தேன்

மசியம் என்கிறான்

மகுடி வச்சு ஊதிப் பார்த்தா

மசியும் என்கிறான்

பெண்

முந்தின பிறவி பந்தத்தாலே

முடியும் என்கிறான்

முந்தின பிறவி பந்தத்தாலே

முடியும் என்கிறான்

இந்த முழியும் பெருத்த காளையினாலே

படியும் என்கிறான்...

இந்த முழியும் பெருத்த காளையினாலே

படியும் என்கிறான்....

ஆண்

அப்படியா

பெண்

பின்ன எப்படியாம்

ஆண்

அப்போ கண்ணு நாலும் சேர்ந்துப்புட்டா

காதலென்பாங்க

அப்போ கண்ணு நாலும் சேர்ந்துப்புட்டா

காதலென்பாங்க

பெண்

கனவில் கூட அடிக்கடிஅலை மோதுதுதென்பாங்க

ஆண்

உன்னையும் என்னையும்

பார்த்தவங்க என்னா சொல்வாங்க

உன்னையும் என்னையும்

பார்த்தவங்க என்னா சொல்வாங்க

பெண்

உருப்படிகள் ரெண்டும்

நல்ல ஜோடி என்பாங்க

உருப்படிகள் ரெண்டும்

நல்ல ஜோடி என்பாங்க

இருவர்

காதலாம் காதலு காதல்

காதலாம் காதலு காதல்.......

காதலாம் காதலு காதல்

காதலாம் காதலு காதல்.......

Dialogue : ……………….

Male Part

Adikuthu adikuthu

Unnai kanda naal mudhal

Kaadhal jorame adikuthu

Unnai kanda naal mudhal

Kaadhal jorame adikuthu..adikuthu

Female Part

Thudikuthu thudikuthu

Unnai paratha naal mudhal

Paazhum maname thudikuthu

Unnai paratha naal mudhal

Paazhum maname

Male : Adikuthu… adikuthu

Male Part

Josiyanai naan kaettu paarthen

Dhosam engiraan

Josiyanai naan kaettu paarthen

Dhosam engiraan

Sukkiran maettai sooriyan paarthathu

Mosam engiraan

Sukkiran maettai sooriyan paarthathu

Mosam engiraan

Male Part

Vaithiyanai naan kaettu paarthen

Vaadham engiraan

Manmadhan valiba kolaru endre

Baanam poduraan

Manmadhan valiba kolaru endre (Adikuthu)

Adikuthu… adikuthu

Female Part

Mandhirakaaranai kaettu paarthen

Masiyam engiraan

Magudi vechu oodhi paarthaa

Masiyum engiraan

Female Part

Mandhirakaaranai kaettu paarthen

Masiyam engiraan

Magudi vechu oodhi paarthaa

Masiyum engiraan

Female Part

Mundhina piravi bandhathaale

Mudiyum engiraan

Mundhina piravi bandhathaale

Mudiyum engiraan

Indha muzhiyum perutha kaalaiyinaale

Padiyum engiraan

Indha muzhiyum perutha kaalaiyinaale

Padiyum engiraan

Male Part

Appadiya

Female

Pinna eppadiyam

Male Part

Appo kannu naalum saerndhuputta

Kaadhal enbaanga

Appo kannu naalum saerndhuputta

Kaadhal enbaanga

Female

Kanavil kooda adikkadi alai modhudhu enbaanga

Male Part

Unnaiyum ennaiyum

Paarthavanga enna solvaanga

Unnaiyum ennaiyum

Paarthavanga enna solvaanga

Female Part

Urupadigal rendum

Nalla jodi enbaanga

Urupadigal rendum

Nalla jodi enbaanga

Both

Kaadhalaam kaadhalu kaadhal

Songwriter

The father of the bride, N. Ramiya Das

I'm not sure what happened.

Male

The foot is the foot

Since the day I saw you

Love is the only thing that can make you feel bad.

Since the day I saw you

Love is the only thing that can stop us.

Female

The sound of the bell

Since the day I saw you

The heart is beating...

Since the day I saw you

What a mess!

Male

The foot, the foot.

Male

I asked Josiah.

Dosham says

I asked Josiah.

Dosham says

The sun had seen the Mount Sukrân

He says bad

The sun had seen the Mount Sukrân

He says bad

Male

I asked the doctor.

The argument says

I asked the doctor.

The argument says

Manman is a youthful disorder.

He's got a style...

The term "Mannathan Youth Disorder" is used to describe a disorder of the mind.

The foot, the foot.

Female

I heard the wizard

The man said:

The crown is a crown.

And the mouse says

Female

I heard the wizard

The man said:

The crown is a crown.

And the mouse says

Female

By previous birth

He says he can.

By previous birth

He says he can.

This is a huge, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big, big,

He says...

He says again...

Male

So, what?

Female

Back again

Male

Then the eye and the tongue joined.

How can we be sure that we will be happy?

Then the eye and the tongue joined.

How can we be sure that we will be happy?

Female

Even in dreams, the waves often collide.

Male

You and me

I'll tell you what I saw.

You and me

I'll tell you what I saw.

Female

Both items

They're a good couple.

Both items

They're a good couple.

Two

The Bible says that "the love of Jehovah is love".

Love is love.

The Bible says that "the love of Jehovah is love".

Love is love.

Frequently Asked Questions

Who sang Adikkuthu Adikkuthu?

Adikkuthu Adikkuthu was sung by T. V. Rathinam and V. T. Rajagopalan.

Who composed the music for Adikkuthu Adikkuthu?

Adikkuthu Adikkuthu music was composed by G. Ramanathan.

Who wrote the lyrics of Adikkuthu Adikkuthu?

Adikkuthu Adikkuthu lyrics were penned by Thanjai N. Ramaiah Dass.

Adikkuthu Adikkuthu is from which movie?

Adikkuthu Adikkuthu is a song from the Tamil movie Manimekalai (1959).

More from Manimekalai

Unnai Kaana Yengum Varuga Varuga Sugumaraa Aandavan Padaipinile Naan Kanda Kangalin Vennilave Pazhangala Tamizharin Manathai Kavarntha Inbam Inbam Raja Nee Thoongalamaa Aandavan Tamizhanada Avaniyil Puthumurai

About Manimekalai (1959)

Maṇimēkalai (Tamil: மணிமேகலை, lit. 'jewelled belt, girdle of gems'), also spelled Manimekhalai or Manimekalai, is a Tamil Buddhist epic composed by Kulavāṇikaṉ Seethalai Sataṉar probably somewhere between the 2nd century to the 6th century. It is an "anti-love story", a sequel to the "love story" in the earliest Tamil epic Cilappatikaram, with some characters from it and their next generation. The epic consists of 4,861 lines in akaval meter, arranged in 30 cantos. The title Manimekalai is also the name of the daughter of Kovalan and Madhavi, who follows in her mother's footsteps as a dancer and a Buddhist nun. The epic tells her story. Her physical beauty and artistic achievements seduces the Chola prince Udayakumara. He pursues her. She, a nun of Mahayana Buddhism persuasion, feels a commitment to free herself from human ties. She rejects his advances, yet finds herself drawn to him. She hides, prays and seeks the help of her mother, her Buddhist teacher Aravana Adikal and angels. They teach her Buddhist mantras to free herself from fears. One angel helps her magically disappear to an island while the prince tries to chase her, grants her powers to change forms and appear as someone else. On the island, she receives a magic begging bowl, which always gets filled, from Manimekhala. Later, she takes the form and dress of a married woman in the neighborhood, as the prince pursues her. The husband sees the prince teasing her, and protects "his wife" – Manimekalai-in-hiding – by killing the prince. The king and queen learn of their son's death, order the arrest of Manimekalai, arrange a guard to kill her. Angels intervene and Manimekalai miraculously disappears as others approach her, again. The queen understands, repents. Manimekalai is set free. Manimekalai converts the prison into a hospice to help the needy, teaches the king the dharma of the Buddha. In the final five cantos of the epic, Buddhist teachers recite Four Noble Truths, Twelve Nidanas and other ideas to her. She then goes to goddess Kannaki temple in Vanci (Chera kingdom), prays, listens to different religious scholars, and practices severe self-denial to attain Nirvana (release from rebirths). The Manimekalai is one of the Five Great Epics of Tamil Literature, and one of three that have survived into the modern age. Along with its twin-epic Cilappatikaram, the Manimekalai is widely considered as an important text that provides insights into the life, culture and society of the Tamil regions (India and Sri Lanka) in the early centuries of the common era. The last cantos of the epic – particularly Canto 27 – are also a window into then extant ideas of Mahayana Buddhism, Jainism, Ajivika, and Hinduism, as well as the history of interreligious rivalries and cooperation as practiced and understood by the Tamil population in a period of Dravidian–Aryan synthesis and as the Indian religions were evolving.