Unnai Kaana Yengum Song Lyrics

from Manimekalai · 1959

1959Year

7Verses

Music Director

G. Ramanathan

Lyricist

A. Maruthakasi

Singers

T. R. Mahalingam

Starring

T. R. MahalingamN. S. KrishnanO. A. K. DevarT. V. RadhakrishnanP. BhanumathiT. A. MadhuramSandhiya JayaramG. Sakunthala

Read lyrics ↓

Unnai Kaana Yengum Song Lyrics is the track from “Manimekalai” Tamil Film – 1959, Starring T. R. Mahalingam, N. S. Krishnan, O. A. K. Devar, T. V. Radhakrishnan, P. Bhanumathi, T. A. Madhuram, Sandhiya Jayaram and G. Sakunthala. This song was sung by T. R. Mahalingam. The music was composed by G. Ramanathan. Lyrics works penned by A. Maruthakasi.

Singers : T. R. Mahalingam

Music Director : G. Ramanathan

Lyricist : A. Maruthakasi

பாடல் ஆசிரியர்

ஏ .மருதகாசி

ஆண்

உன்னைக் காண ஏங்கும் ..அன்பே

என் கண்ணும் என்று தூங்கும்..கண்ணே

உன்னைக் காண ஏங்கும் ..

என் நெஞ்சும் கண்ணும் என்று தூங்கும்

கண்ணும் என்று தூங்கும்

உன்னைக் காண ஏங்கும் ..

என் நெஞ்சும் கண்ணும் என்று தூங்கும்

ஒளி மின்னல் மாறி இளங் கன்னியாகி

எனைக் கொள்ளை கொண்ட அன்பே

ஒளி மின்னல் மாறி இளங் கன்னியாகி

எனைக் கொள்ளை கொண்ட அன்பே

உன்னைக் காண ஏங்கும் ..

என் நெஞ்சும் கண்ணும் என்று தூங்கும்

ஆண்

எண்ணப் பொய்கையில் அன்னம் போலவே

இன்பமாக நீந்தி

எண்ணப் பொய்கையில் அன்னம் போலவே

இன்பமாக நீந்தி

புது அன்புப் பார்வை ஏந்தி

ஆனந்தம் தந்த சூர்யகாந்தி

தந்த சூர்யகாந்தி

சுவை கன்னல் கெஞ்சிடும் உன் சொல்லைக் கேட்டு

நான் காண்பதென்று சாந்தி.....

சுவை கன்னல் கெஞ்சிடும் உன் சொல்லைக் கேட்டு

நான் காண்பதென்று சாந்தி...

உன்னைக் காண ஏங்கும் ..

என் நெஞ்சும் கண்ணும் என்று தூங்கும்

ஆண்

சிந்து பாடியே ஹா ஆஆஆஆ ஹா ஆஆஆ

சிந்து பாடியே வந்து என்னையே

சொந்தமாக்கிக் கொண்டாய்

உன் சொந்தமாக்கிக் கொண்டாய்

மெய்க்காதல் பந்தத்தாலே வென்றாய்

நம் சொந்த பந்தத்தை சிந்தியாமலே

இன்று எங்கு சென்றாய்......

நம் சொந்த பந்தத்தை சிந்தியாமலே

இன்று எங்கு சென்றாய்......

உன்னைக் காண ஏங்கும் ..

என் நெஞ்சும் கண்ணும் என்று தூங்கும்

ஒளி மின்னல் மாறி இளங் கன்னியாகி

எனைக் கொள்ளை கொண்ட அன்பே

Male Part

Unnai kaana yengum…anbae

En kannum endru thoongum…kanne

Unnai kaana yengum…

En kannum endru thoongum…

Kannum endru thoongum…

Unnai kaana yengum…

En kannum endru thoongum…

Oli minnal maari ilang kanniyaagi

Enai kollai konda anbe

Oli minnal maari ilang kanniyaagi

Enai kollai konda anbe

Unnai kaana yengum…

En kannum endru thoongum…

Male Part

Enna poigaiyil annam polave

Inbamaaga neendhi

Enna poigaiyil annam polave

Inbamaaga neendhi

Pudhu anbu paarvai yendhi

Aanandham thandha sooryagaandhi

Thandha sooryagaandhi

Suvai kannal kenjidum un sollai kaettu

Naan kaanbathendru saanthi

Suvai kannal kenjidum un sollai kaettu

Naan kaanbathendru saanthi

Unnai kaana yengum…

En kannum endru thoongum…

Male Part

Sindhu paadiyae haa..aa..aa…aa…haa..aaa..aa

Sindhu paadiye vandhu ennaiye

Sondhamaakki kondaai

Un sondhamaakki kondaai

Meikaadhal bandhathaale vendraai

Namm sondha bandhathai sindhiyaamale

Indru engu sendraai

Namm sondha bandhathai sindhiyaamale

Indru engu sendraai

Unnai kaana yengum…

En kannum endru thoongum…

Oli minnal maari ilang kanniyaagi

Enai kollai konda anbe

Frequently Asked Questions

Who sang Unnai Kaana Yengum?

Unnai Kaana Yengum was sung by T. R. Mahalingam.

Who composed the music for Unnai Kaana Yengum?

Unnai Kaana Yengum music was composed by G. Ramanathan.

Who wrote the lyrics of Unnai Kaana Yengum?

Unnai Kaana Yengum lyrics were penned by A. Maruthakasi.

Unnai Kaana Yengum is from which movie?

Unnai Kaana Yengum is a song from the Tamil movie Manimekalai (1959).

More from Manimekalai

Varuga Varuga Sugumaraa Aandavan Padaipinile Naan Kanda Kangalin Vennilave Pazhangala Tamizharin Manathai Kavarntha Adikkuthu Adikkuthu Inbam Inbam Raja Nee Thoongalamaa Aandavan Tamizhanada Avaniyil Puthumurai

About Manimekalai (1959)

Maṇimēkalai (Tamil: மணிமேகலை, lit. 'jewelled belt, girdle of gems'), also spelled Manimekhalai or Manimekalai, is a Tamil Buddhist epic composed by Kulavāṇikaṉ Seethalai Sataṉar probably somewhere between the 2nd century to the 6th century. It is an "anti-love story", a sequel to the "love story" in the earliest Tamil epic Cilappatikaram, with some characters from it and their next generation. The epic consists of 4,861 lines in akaval meter, arranged in 30 cantos. The title Manimekalai is also the name of the daughter of Kovalan and Madhavi, who follows in her mother's footsteps as a dancer and a Buddhist nun. The epic tells her story. Her physical beauty and artistic achievements seduces the Chola prince Udayakumara. He pursues her. She, a nun of Mahayana Buddhism persuasion, feels a commitment to free herself from human ties. She rejects his advances, yet finds herself drawn to him. She hides, prays and seeks the help of her mother, her Buddhist teacher Aravana Adikal and angels. They teach her Buddhist mantras to free herself from fears. One angel helps her magically disappear to an island while the prince tries to chase her, grants her powers to change forms and appear as someone else. On the island, she receives a magic begging bowl, which always gets filled, from Manimekhala. Later, she takes the form and dress of a married woman in the neighborhood, as the prince pursues her. The husband sees the prince teasing her, and protects "his wife" – Manimekalai-in-hiding – by killing the prince. The king and queen learn of their son's death, order the arrest of Manimekalai, arrange a guard to kill her. Angels intervene and Manimekalai miraculously disappears as others approach her, again. The queen understands, repents. Manimekalai is set free. Manimekalai converts the prison into a hospice to help the needy, teaches the king the dharma of the Buddha. In the final five cantos of the epic, Buddhist teachers recite Four Noble Truths, Twelve Nidanas and other ideas to her. She then goes to goddess Kannaki temple in Vanci (Chera kingdom), prays, listens to different religious scholars, and practices severe self-denial to attain Nirvana (release from rebirths). The Manimekalai is one of the Five Great Epics of Tamil Literature, and one of three that have survived into the modern age. Along with its twin-epic Cilappatikaram, the Manimekalai is widely considered as an important text that provides insights into the life, culture and society of the Tamil regions (India and Sri Lanka) in the early centuries of the common era. The last cantos of the epic – particularly Canto 27 – are also a window into then extant ideas of Mahayana Buddhism, Jainism, Ajivika, and Hinduism, as well as the history of interreligious rivalries and cooperation as practiced and understood by the Tamil population in a period of Dravidian–Aryan synthesis and as the Indian religions were evolving.

Unnai Kaana Yengum Song Lyrics

பாடல் ஆசிரியர்

ஆண்

ஆண்

ஆண்

Male Part

Male Part

Male Part

Songwriter

Male

Male

Male

Frequently Asked Questions

Who sang Unnai Kaana Yengum?

Who composed the music for Unnai Kaana Yengum?

Who wrote the lyrics of Unnai Kaana Yengum?

Unnai Kaana Yengum is from which movie?

More from Manimekalai